Sunday 16 thru Saturday 22, 2011

This blog will have some history of my work in graphics and my intend to enhance my command of Adobe Illustrator. I believe Illustrator has always saved me professionally. I’ve never been even remotely close to being a “guru” but, honestly, Illustrator got me into the working world of corporate America. I’ve “played” with this application since the 80s. Now I don’t remember how or which Adobe Illustrator version/number I’ve actually used for “professional” work. When I was introduced to Illustrator, the MACs the company had, ran on 4 mgs of ram! I think now computers use DRAM, so, maybe, RAM doesn’t even exist anymore? OK, think of RAM as archaic RAM sticks, does that help? Dude, the new MACs will have flash drives, hard drives will be a thing of the past!


This blog’s background shows my attempts to create my business cards with Illustrator for print. I think I must have tried about 7–9 different angles. I’m not going to delve into specific details about the technique. But, the effect was performed with the simple use of the type, pen and blend tool. If you’d like details let me know and I’ll get them to you. I never had any of these business cards printed. Just couldn’t justify the expense—maybe, these really are hard times. Still, when I created a PDF portfolio, the concept served me well.


http://www.flickr.com/photos/55648749@N08/sets/


Much of my “professional” work was for print and very conservative. (If you take a good look at my portfolio, it does take on a rather “industrial” look.) So, I will also reflect a little on my experiences associated with Adobe InDesign, Photoshop and, maybe, Acrobat. Presently, I’m trying to get a genealogical book out but the author keeps adding pictures and editing the text. Patience and prozac really help. We’ve been working on this book for 3 years. We’ll talk?



Sunday, April 3, 2011

Show Your Work Now

A colleague told me he was thinking about making a Web Site to display his portfolio. I suggested he create his portfolio using Flickr since using their Web Site is easy and very inexpensive. Still, he’d rather wait and learn to build his Web Site. So, I wonder, what have famous people in the Arts industry done to promote themselves?

In Picasso: Art Genius … Marketing Genius? Something in Between?, Ryan MacRay Jones says Picasso “Understood key luxury marketing fundamentals like:
• Exclusive distribution (only via Gallery Kahnweiler)
• Differentiation (leveraged the use of African art styles)
• Smart Cultivation of critics “in the know” (he did portraits of collectors and “taste makers” of the day), and
• Strong emotional affiliation.”

Jerry Chautin writes in Salvador Dali: Virtuoso Artist or Clever Marketer?, “Dali managed to stay in the press with stories in periodicals and striking photographs, including features in Life magazine; six times in one 12-month period. He appeared on numerous TV shows such as What’s My Line and spontaneously created a shaving-cream drawing for his ostentatious entrance on I’ve Got a Secret.

Obvisouly, I’m suggesting use every trick “social media” now has to offer. Use Behance, Flicker, Facebook, Tweeter, LinkedIn, Blogger, etc., now! Show your work any and everywhere for as many people to view as possible. Don’t wait until you think you’ve mastered Web Page building. Even “journalism experts” are losing out. The New York Times insists on charging for subscriptions. On the other hand, the readership of The Huffington Post is exploding. They make their money by the advertising on their site. Meanwhile, nobody has mentioned that The New York Times has been bailed out and has almost hit bankruptcy several times.

Arianna Huffington states in On Change, Disruptive Innovation, and the Problem With Paywalls, “We definitely won’t be erecting any paywalls at HuffPost. Yes, the media business is in a state of transition, and there are plenty of challenges, but this is why it’s all the more important to take advantage of the incredible array of tools for innovation that are cropping up almost daily. The exact wrong response to this transition is to wall yourself off from new possibilities.”

Note to commercial/graphic designers Get Your Work Out There & Don’t Wall Yourself Off!

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