Sunday 16 thru Saturday 22, 2011

This blog will have some history of my work in graphics and my intend to enhance my command of Adobe Illustrator. I believe Illustrator has always saved me professionally. I’ve never been even remotely close to being a “guru” but, honestly, Illustrator got me into the working world of corporate America. I’ve “played” with this application since the 80s. Now I don’t remember how or which Adobe Illustrator version/number I’ve actually used for “professional” work. When I was introduced to Illustrator, the MACs the company had, ran on 4 mgs of ram! I think now computers use DRAM, so, maybe, RAM doesn’t even exist anymore? OK, think of RAM as archaic RAM sticks, does that help? Dude, the new MACs will have flash drives, hard drives will be a thing of the past!


This blog’s background shows my attempts to create my business cards with Illustrator for print. I think I must have tried about 7–9 different angles. I’m not going to delve into specific details about the technique. But, the effect was performed with the simple use of the type, pen and blend tool. If you’d like details let me know and I’ll get them to you. I never had any of these business cards printed. Just couldn’t justify the expense—maybe, these really are hard times. Still, when I created a PDF portfolio, the concept served me well.


http://www.flickr.com/photos/55648749@N08/sets/


Much of my “professional” work was for print and very conservative. (If you take a good look at my portfolio, it does take on a rather “industrial” look.) So, I will also reflect a little on my experiences associated with Adobe InDesign, Photoshop and, maybe, Acrobat. Presently, I’m trying to get a genealogical book out but the author keeps adding pictures and editing the text. Patience and prozac really help. We’ve been working on this book for 3 years. We’ll talk?



Sunday, April 17, 2011

Art & Money & What It Looks Like

Beautiful Losersthe movie, documents artists and their work from the street scene of the early ’90s. I really enjoyed watching these young artists and was impressed by their courage to live the way they did. Sometimes they slept in sleeping bags at the same studios and galleries to produce and show their creations. It all seemed so very “grungy.” This movie made me think about my educational and intellectual pursuits in graphic design. If my education had been completed through an art academy, I wonder if I would have ended up living in some loft in New York, immersed in a life someway involved with art. The cliche goes that artists live outside of society’s mainstream so they may get an “objective” viewpoint. I wonder if it would have been a very lonely and rather deprived life.

The young artists in Beautiful Losers like Shepard Fairey, Ed Templeton, Margaret Kilgallen (deceased), are now quite famous, successful and, as a collective, influenced fashion, music, art, design, and film. If you link to the sites and view their work, you’ll notice something about it looks familiar although you may not know their names.

On the flip side, take a look at super rich, successful and wealthy artists. Yes they do exist. Just off hand Brice Marden, Anish KapoorTakashi Murakami. Ok, Brice Marden actually accumulated most of his wealth in conjunction with his art dealer and through real estate holdings in New York. Still, it was his art that got him started. If you’ve ever gone to Chicago, you’ve enjoyed Anish Kapoor’s Cloud Gate. I think it’s definitely an icon of that city. Takashi Murakami ultimately created an “art factory” called Kaikai Kiki Co. Ltd. with studios in Tokyo and Long Island City — a major money making machine.

What financial perspective does one get from looking at these artists? Some look homeless and others end-up looking extravagantly wealthy. Ultimately, it’s a universal enigma, right?

Beautiful Losers
http://www.movie666.com/who-are-the-beautiful-losers
http://www.beautifullosers.com
http://ifitshipitshere.blogspot.com/2009/01/beautiful-losers-boxed-catalog-of.html
Wealthy artists:
http://www.artinfo.com/news/photos/2077/19840/
Shepard Fairey
http://www.studionumber-one.com/about/
Anish Kapoor 
http://www.icaboston.org/exhibitions/exhibit/kapoor/
Margaret Kilgallen 
http://www.pbs.org/art21/artists/kilgallen/
Brice Marden
http://www.matthewmarks.com/artists/brice-marden/
Takashi Murakami
http://www.artnet.com/artists/takashi-murakami/

Ed Templeton
http://www.toymachine.com/

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